G Lydian — Bass VI

Where G Lydian lives on the EADGBE fretboard — roots anchored, audio ready.

The G Lydian scale runs 7 notes per octave in the modes family. Below it sits on the Bass VI's EADGBE strings with every root marked, because a bassist reads a scale map as a set of targets around the root, not a row of dots.

Major with a raised 4th (#4) — dreamy, ethereal, and floating. Often called the brightest mode, with an otherworldly suspended quality.

Heard in: Film scores, progressive rock, jazz — Joe Satriani's "Flying in a Blue Dream", John Williams, Steve Vai.

Because the Bass VI carries guitar tuning an octave down, these patterns are guitar geometry with bass consequences — watch the G-to-B string crossing, where the shape bends by one fret.

Walk it slowly against the audio, land each root on a downbeat, then take it to the progressions in G and let the scale turn into lines.