G Half Whole Diminished — Bass VI

The G Half Whole Diminished scale runs 8 notes per octave in the symmetric family. Below it sits on the Bass VI's EADGBE strings with every root marked, because a bassist reads a scale map as a set of targets around the root, not a row of dots.

Tense, symmetrical, and slightly sinister — alternating half and whole steps pack in the b9, #9, #11, and 13, so it sounds like a dominant chord stretched to breaking point. Edgy, jazzy, and restless.

Heard in: Jazz lines over 13b9 dominant chords, fusion, film-noir and horror scoring — the sound of a V chord that refuses to settle.

Because the Bass VI carries guitar tuning an octave down, these patterns are guitar geometry with bass consequences — watch the G-to-B string crossing, where the shape bends by one fret.

Walk it slowly against the audio, land each root on a downbeat, then take it to the progressions in G and let the scale turn into lines.