F Dorian — Bass VI
Where F Dorian lives on the EADGBE fretboard — roots anchored, audio ready.
The F Dorian scale runs 7 notes per octave in the modes family. Below it sits on the Bass VI's EADGBE strings with every root marked, because a bassist reads a scale map as a set of targets around the root, not a row of dots.
Minor with a raised 6th (natural 6) — soulful, smooth, and less dark than natural minor. The quintessential jazz-minor and blues mode.
Heard in: "So What" (Miles Davis), "Oye Como Va" (Santana), "Eleanor Rigby" (Beatles) — rock, blues, funk, jazz.
Because the Bass VI carries guitar tuning an octave down, these patterns are guitar geometry with bass consequences — watch the G-to-B string crossing, where the shape bends by one fret.
Walk it slowly against the audio, land each root on a downbeat, then take it to the progressions in F and let the scale turn into lines.