G m11 on Bass VI

Root first, then the colors: every G m11 tone placed on the EADGBE neck, ready to walk.

G m11 chord diagram, starting at fret 10. Strings low to high: E muted, A 10th fret, D 10th fret, G 10th fret, B 11th fret, E 13th fret.

G m11 spells G – A – A# – C – D – F. A bassline treats those notes as a hierarchy — root first for gravity, fifth for stability, then the third and any extensions for color — and the shapes below put each of them under your fingers on the Bass VI's EADGBE strings.

The Bass VI is tuned EADGBE one octave below guitar, so six-string grips physically fit — but at this depth stacked thirds blur, and the voicings that stay clear keep two or three notes and let the low strings breathe.

Start from the root, play the arpeggio until the sound of G m11 is in your ears, then loop it against the progressions in G so the tones become choices instead of charts.